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Yale University School of Art: Gallery

Photo by Joel Jares. Courtesy of Columbia University School of the Arts.

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Yale MFA Painting & Printmaking Thesis Show: Group 1 …

Matthew Neff teaches printmaking in the Undergraduate Fine ArtDepartment at Penn. He received his B.A. (Art History) and B.F.A.(Painting) from Indiana University, and his M.F.A. from the Universityof Pennsylvania. His exhibitions include: the MFA Thesis GroupExhibition, the Ice Box Project Space, Philadelphia, PA (2005); SoloPainting Exhibition, Big Jar Books, Philadelphia, PA (2003); and GroupExhibitions, Sofa Gallery, Bloomington, IN (2002, 2001). He held aninternship at the Museum of Modern Art, New York, NY in 2000.

Yale University School of Art 1156 Chapel Street, POB 208339 New Haven, Connecticut, (203) MFA.

Henry Ossawa Tanner was an esteemed painter of religious subjects, of which The Holy Family is a prime example. Tanner paints a tender, family scene in a simple interior like those he found in the Holy Land. Prior to completing this painting and numerous other biblical scenes, Tanner traveled to Palestine, Morocco, and Algeria in order to observe and incorporate the historical essence of those locations.

Yale MFA Painting/Printmaking Thesis Exhibition” will ..

William Sonntag was born in rural Pennsylvania and at an early age aspired to be a landscape artist. After failed apprenticeships to a carpenter and architect, William Sonntag is thought to have studied at the Cincinnati Academy of Fine Arts. By the mid-40s he was established as an itinerant painter, selling paintings and sketches as he traveled the Ohio Valley. A storefront exhibition in Cincinnati drew the attention of the Baltimore and Ohio Railroad, which commissioned the artist in 1846 to paint a series of views along the railroad’s route, in hopes of attracting tourists and settlers. In 1855 Sonntag traveled to Florence to study for a year, then settled in New York where he resided permanently after 1860.

Garber’s painting style was conservative and like many of his contemporaries he was a member of the National Academy. His works praise a simple, yet artistic world, and he often includes a theme of love for one’s fellow person.

MFA exhibit showcases thesis work - Yale Daily News

Garber’s painting style was conservative and like many of his contemporaries he was a member of the National Academy. His works praise a simple, yet artistic world, and he often includes a theme of love for one’s fellow person.

Daniel Garber was born in North Manchester, Indiana to a farming family. The pastoral landscapes that surrounded him as a youth made a strong impression, and led him to the landscape paintings for which he is best known. Though his primary interest was landscape, he also had great success with interior works such as Interior, Green Street. Garber studied at the Cincinnati Academy and, later, at the Pennsylvania Academy of Fine Arts where he was inspired by the sincerity and integrity of the works of Thomas Eakins. Garber later studied on his own in Europe, but brought little of the European artistic ideals of the time back with him to the United States, where he became a faculty member at his alma-matter, the Pennsylvania Academy of Fine Arts.

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  • New MFA Thesis Show Photographs | ~Yale Arts …

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  • Reviver: Yale MFA Photo 2016 | Danziger Gallery | Artsy

    Yale Mfa Painting Thesis Show

  • Yale Students - Yale University Art Gallery

    Yale mfa painting thesis show Flashplain, 2015, Oil, plastic, plexiglass, found paper, wood, 48 x 48 x 4 inches

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Yale Painting MFA Thesis Show, Yale …

Joshua Johnson worked in Baltimore from about 1789 to 1835. While he worked in the stylistic tradition of Charles Willson Peale and Charles Peale Polk, Johnson’s career is remarkable in that he achieved artistic success as a free black man when slavery was still legal in the U.S. Little is known about his origins; in 1796 the city directory lists Johnson as a painter and free man of color and subsequent records further indicate his status as a free man. Of his contemporaries, Johnson was the only artist to remain in Baltimore for the duration of his career, most likely due to the risk of being kidnapped and returned to slavery. Most of Johnson’s commissions were for working and middle class families. This portrait is typical of Johnson’s work, and demonstrates the smaller-than-life-scale format that defined many of his portraits. The pose reflects the manner of many of the artist’s early works, as do the hand positions and props. The identity of the sitter comes from an inscription on the painting from an earlier owner, though scholarly research has proven inconclusive.

New Business: Yale Graphic Design MFA Thesis Show …

Manierre Dawson was born in Chicago in 1887 and trained as an architect and civil engineer at the Armour Institute of Technology. He spent his spare time painting and his earliest works are clearly shaped by the influence of mathematical architectural ideas. In 1910 he took a leave of absence from the firm of Holabird and Roche to travel to Europe to pursue his passion for art. While in Paris he encountered Gertrude Stein, who purchased one of his paintings. When Dawson returned to the U.S. he became acquainted with Albert P. Ryder and Arthur B. Davies, the latter of which invited Dawson to submit work for the 1913 Armory Show. Although only one of his paintings was accepted into the show, its inclusion represented the single high point of Dawson’s artistic career during his lifetime.

Yale University Mfa, Painting Department ..

Manierre Dawson was born in Chicago in 1887 and trained as an architect and civil engineer at the Armour Institute of Technology. He spent his spare time painting and his earliest works are clearly shaped by the influence of mathematical architectural ideas. In 1910 he took a leave of absence from the firm of Holabird and Roche to travel to Europe to pursue his passion for art. While in Paris he encountered Gertrude Stein, who purchased one of his paintings. When Dawson returned to the U.S. he became acquainted with Albert P. Ryder and Arthur B. Davies, the latter of which invited Dawson to submit work for the 1913 Armory Show. Although only one of his paintings was accepted into the show, its inclusion represented the single high point of Dawson’s artistic career during his lifetime.

MFA Thesis Show, Yale University, New Haven, CT

The still life has been a theme in art since the early Renaissance, though it is best recognized from the 17th and 18th century Dutch tradition. Still life served as both a celebration of the bounty of nature and as an allegory or metaphor for spiritual and religious themes. The appearance of rot or decay in the still life bespoke the ongoing struggle between good and evil. While the still life’s prominence had faded in Europe by the 19th century, it enjoyed great popularity in America, especially among the general populace. For his collectors and admirers, Roesen’s paintings were celebrations of nature’s bounty and of the blessings of the New World.

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