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Twenty years ago the cliché was a bit Spanish-looking: cultured, qualitative, formalist, intellectual And then Rem [Koolhaas] came and the architect became this ruthless robot man, destroying everything we found comfortable; being awful to everyone And everybody copied that model, from Ben van Berkel to every single Swiss architect in the world under 50.
But now we have this third model: Alejandro Aravena, Alfredo Brillembourg, Alexander Vollebregt, my colleague from Delft, switching easily from Haitian slums to Lecture rooms, perfectly comfortable with UN Habitat and Worldbank bureaucrats, dressing with a certain hippie-chic, adored by their students for their empathy, approachability and enthusiasm, and most of all breathlessly admired for their willingness to talk about helping the world, eradicating poverty, emancipating the poor.
"I think it is much better to say," explains , "that we are challenged by people's needs." The closing line of this short teaser released by the filmmaker and son of Rem, , sums up perfectly why "" is one of the most highly anticipated architecture documentaries of recent years. Now three years in the making, Tomas Koolhaas' film will examine his father's incomparable oeuvre of work through the eyes of the people that inhabit the designs, eschewing the high-brow and sometimes impenetrable discourse that usually surrounds the work of for something more elemental.
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Among the firm's several hundred realized projects, however, many lesser known proposals were drafted but never constructed. Arguably a fundamental component of the OMA's practice, the unbuilt projects contain some of the firm's most outlandish and important ideas with incredible potential to influence architectural design worldwide. As a tribute to Koolhaas and OMA's continued pursuit of the unconventional, we've rounded up fifteen of OMA's most unusual unbuilt skyscrapers. Read on to find out which ones made the list.
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Berlin, Germany: Dutch (Netherlands) Embassy (Klosterstrasse): front facade (2003, architect OMA / Rem Koolhaas)
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Tony Fadell of Nest, Rem Koolhaas and Paul Goldberger speak at “Design in the Digital Age” at the Vanity Fair New Establishment Summit. Image: Michael Kovac/Getty Images for Vanity Fair
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in rem koolhaas’ parc de la villette project a thesis submitted to the graduate school of natural and applied sciences THE ARCHITECTURAL PRECEDENT AND THE DIAGRAM: A COMPARATIVE approval of the thesis: the architectural precedent and the diagram: a comparative analysis of le corbusier’s villa savoye and rem koolhaas’ maison a bordeaux Rem Koolhaas, “Current Preoccupations” - Harvard Graduate Harvard University Graduate School of Design.
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Paul Goldberger, Joseph Urban Professor of Design at Parsons and Contributing Editor at Vanity Fair, interviewed Nest CEO and Founder Tony Fadell and OMA founding partner Rem Koolhaas for the “Design in the Digital Age” session of the Vanity Fair New Establishment Summit. The Summit took place October 8 and 9 at the Yerba Buena Center for the Arts in San Francisco. The panel discussed the role of technology in architecture and design, as well as differing attitudes toward architecture around the world. According to Koolhaas, in countries such as China, where the pace of development is very rapid, decision makers are younger and therefore more open to new and riskier designs. Koohaas said, “My final conclusion, and this surprised me, is that the thing that matters most when it comes to designing buildings around the world is the age of the decision maker… In China, the decision maker is 35, in Europe, the decision maker is 55. In America, the decision maker is a trustee, so they might be older.”
Harvard Graduate School of Design
STRATEGIC WAY OF DESIGN IN REM KOOLHAAS’ PARC DE LA VILLETTE in rem koolhaas’ parc de la villette project a thesis submitted to the graduate school of natural and applied sciences of middle east technical university by Remment Koolhaas - Harvard Graduate School of Design Rem Koolhaas founded the Office for Metropolitan Architecture in 1975 together with Elia and Zoe Zenghelis and Madelon Vriesendorp.
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